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Happy New Year! The January edition of FSM ONLINE is now live. The first issue of 2019 features our annual YEAR IN REVIEW coverage, including contributions from Jon & Al Kaplan, Kyle Renick, Cary Wong and Sean Wilson. Also in this issue, WEST DYLAN THORDSON breaks down the music to M. Night Shyamalan’s GLASS, including how he uses JAMES NEWTON HOWARD'S UNBREAKABLE score; SEGUN AKINOLA takes up the musical mantle on DOCTORWHO; a new COUNTERPOINT debates whether context is king in film music criticism; GOLD RUSH brings us all the way back to 1908 with CAMILLE SAINT-SAËNS and L’ASSASSINAT DU DUC DE GUISE; a preview of the film music panels of SUNDANCE; lots of album reviews, including WELCOME TO MARWEN, SPIDER-MAN: INTO THE SPIDER-VERSE and AQUAMAN; more embedded audio clips, and more.

Subscribers, you’ll get notification by email shortly. Or, just go here to log in. For those who want to join FSM ONLINE, go here, click on the “Subscribe” link and follow the instructions. And email us if you have any questions.

Happy Holidays from all of us at FSMO!

Sincerely,

Your Friends at FSM ONLINE

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Today in Film Score History:
March 25
Bronislau Kaper wins his only Oscar, for the Lili score (1954)
Elton John born (1947)
Henry Mancini begins recording his score for 99 & 44/100 % Dead (1974)
John Massari born (1957)
John Williams begins recording his score for E.T. The Extra-Terrestrial (1982)
Ken Thorne begins recording his score for Superman II (1980)
Luis Bacalov wins his only Oscar, for Il Postino; Alan Menken wins the first Comedy or Musical Score Oscar, for Pocahontas
Maurice Jarre wins his third and final Oscar, for the A Passage to India score (1985)
Recording sessions begin for Frederick Hollander’s score for The Great McGinty (1940)
Riz Ortolani born (1926)
Ron Jones records his score for the Star Trek: The Next Generation episode "The Royale" (1989)
Tan Dun wins his first score Oscar, for Crouching Tiger, Hidden Dragon (2001)
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